During TaDA’s residency programme I explored the world of acoustic perception and the interaction between textiles and architecture. I adopted an experimental approach to investigate whether it is possible to develop a new type of acoustic curtain fabric that stands out from those currently available on the market.

Through the residency programme in Eastern Switzerland, I had the opportunity to delve into the archives and history of St. Gallen lace textiles at Textilmuseum. During my visit, I examined impressive archive pieces, primarily from the late 19th century.

This was the start of a visual research project: a desire to understand the origin and development of filling patterns in historic sheer curtain textiles. These delicate textures are essential to holding the entire fabric together. Both structural and decorative, these spaces between the motifs tell an intriguing story where tradition meets innovation.

Throughout time, one can recognise recurrent background patterns of simple but elaborate geometry. They demonstrate the subtle interaction between design aesthetics and machine limitations. 

COMPOSITION: 100% VIRGIN WOOL

TECHNIQUE: EMBROIDERY

Production partner LÄSSER AG Swiss Embroidery Machines

© Images by Ladina Bischof